My dear Grandpa Joe
(Joseph Cohen)
was a prominent Birmingham solicitor, an important property developer,
entrepreneur and a cinema proprietor. From the early 1930's he created a
number of limited companies, that all became part of the Jacey Group
of companies. He was extremely successful and his generosity was
well known and much appreciated in so many circles.
He owned the
Lissiter's Royal restaurant and started in property with Jack
Cotton, as his partner, in the early days and the first development
undertaken together, was the creation of King Edward House in New
Street, Birmingham. They continued with a few successful joint
projects that included the building of the Kenilworth Court apartments
and Somerset House in Birmingham.
(Note: Jack Cotton went on to
continue, as chairman, to create 'City Centre' the biggest property
development company in the world, with a valuation in 1961, on the
stock market of
65 million pounds!)
Joe continued to develop large
blocks of apartments, mainly within the Calthorpe estates area.
These included Calthorpe Mansions at five Ways, Norfolk Court at
Hagley Road and Moorland Court in Melville Road. He also built
houses and had two roads named after him, Jacey Road in Edgbaston and
Jacey Road in Shirley.
He built 72 Woodbourne Road,
Edgbaston, Birmingham as his own family home and was involved in Bournemouth with
the Jacey House offices in the centre and Tollard Court at West Cliff
where he had a ground floor apartment.
72 Woodbourne road, Edgbaston
He continued with his
property development interests with the formation of the Jacey Gillis
Properties Ltd in Scotland with Harold Gillis.
Grandpa was
fascinated with cinemas and film. He began in 1915 (aged 26) together with
Sol Levy, when they acquired the screen rights of Ethel M. Dell a
popular novelist, but their film company was bought out 2 years
later.
During his career he was involved with over 50 cinemas
and he built The Wylde Green and the Stirchley Pavilion in
Birmingham.
He was also a pioneer of the News
Theatres and he built up a chain of cinemas, having bought out the
Monseigneur group.
Jacey Cinemas then controlled the largest
group of specialised city centre cinemas in the UK, ranging from
Edinburgh to Brighton with several in London's West End.
My father George Cohen
(also a
solicitor) joined Grandpa and ran the company with more cartoons,
comedy and short travel/general interest films, later, introducing
continental feature films, as TV took over providing the
news. Also our Baker St, London cinema was changed to
Jaceyland for the best of Walt Disney films.
The
Company diversified by also running cigarette, ice cream and confectionery
Kiosks, Restaurants and Coffee Bars. Later a specialised shopping Art and
Antique Gallery at Marble Arch London, a Riding School Centre and Farm
at Pathlow, near Stratford upon Avon. The last venture was for
modern postage stamp collectors, by Dealing in Modern UK Stamps with
printing errors.
I too joined the company in 1957 starting off as a
projectionist and learning about cinema management under our general
manager Mr Tonks.
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Later, I started my own department, that was to
design and control the front of house publicity, as well as the
marketing and advertising. This was when we decided on a new
look and logo to publicise the Jacey name.
I employed, a graphic designer and a PR
lady to assist and we really enjoyed a number of our special
promotions. This was when Aisha, who worked for us as an
usherette, came to our attention, she had been chosen for the University
front cover (and had done well in a beauty queen competition) just at the time when
we needed someone to promote the Jacey name.
When we first met her, we were
all dazzled by her smile and so 'Miss Jacey' was created. Grandpa was often fondly referred to
simply as Mr. JC and it was from this, that the business name was created.
My publicity department
ended up designing the film publicity for some of the film
distributors too. So often the film promotion used abroad would
not have appealed to the UK public.
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My Uncle Stanley
(George's younger brother) started
manufacturing jersey ladies fashion with Kurt Rosenburg as his partner
under the name 'Lerose'. This company traded from the late 1940's to
the early 1970's.
He then joined Grandpa in the Jacey property
department managing the various properties.
Later as a keen postage stamp collector, he
controlled the Jacey Stamp Centre (formerly the Jacey in the Strand
cinema) which was converted to provide small units for various
postage stamp dealers. I was asked to help him run a new
business based on selling modern postage stamps, with printing faults,
to collectors from our offices in Temple Street,
Birmingham.
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Just over a year after Grandpa had passed away
on his birthday in 1980, aged 91, (various cinema leases were running
out and the proposed new
rentals were far too high for our cinemas to continue), so we all decided
the time had come to sell them on.
Also Dad and I were disenchanted with the films that
provided the best box office results. In addition both Dad and
Uncle Stanley wanted to retire, so we agreed to sell out.
The Saville Gordon Group bought all the remaining properties and our cinemas had
gradually been sold
to various others.
So the Jacey Group of Companies went
into voluntary liquidation at the end of 1981.
Reference Documents
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THE
HISTORY OF JACEY CINEMAS LTD
PHOTOS AND PRESS CUTTINGS
1950 PATHE NEWS VIDEOS
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JOSEPH COHEN AND OUR FAMILY BUSINESS
KEN RIVE AND GALA FILMS
EXTRA
NOTES
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CHARITY AND
COMMUNITY INVOLVEMENT
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Below a published report about
the type of films
we
were unhappy to
be involved in
by
Pearson Phillips |
It is, said one critic, "the nastiest film I
have ever seen" Said another "It's a long time since a film
disgusted me as much as Peeping Tom ... beastly
picture."
These quotations are proudly displayed
in the advertising for the Gala Royal Cinema, Marble Arch (which is
showing Peeping Tom at the moment).
I don't know whether the critics were
justified. But the fact that their verdicts of nastiness, disgust and
beastliness are being exploited to draw customers seemed to me to be
one of the most unwholesome gimmicks in film advertising.
Doesn't approve
Yesterday the joint boss of the Gala Royal bought seven more
cinemas.
He is Mr Joseph Cohen, Birmingham solicitor and head
of Jacey Cinemas Ltd. which has just taken over the Monseigneur group
for a reported £500,000.
Three
men and Peeping Tom
Does this mean that the seamy policy is
going to spread?
"Oh, dear" said Mr Cohen, on
holiday in Bournemouth, "did the critics say that? Well, I
certainly didn't approve of exploiting that kind of thing.
"I am afraid I am old-fashioned. I
have asked my son not to associate me with anything like
that.........I don't actually deal with any of the advertising."
Over to Mr Cohen Jun., Mr George Cohen,
speaking from his home in Birmingham: "Sordid? I think there is
something in what you say, this is certainly not a thing we would
advocate. But at least it shows people what to expect.
Didn't know
"Let's face up to it. Our business is really a kind of
showmanship. We have got to attract the public. This is just one way
of doing it. Psychologically, this is quite a good way of exciting
their curiosity ........ though I suppose you could say it is rather
an unwholesome kind of curiosity.
"We only share the running of this
cinema with Gala Films. They do the publicity and select the films. I
didn't even know this was in the paper"
Over to Gala Films, London. To Mr.
Frank Hazell, who looks after publicity.
"I am afraid you are putting me on
a spot here. I was partly responsible for this.
"My line in using these quotations
was simply to ask people 'Do you believe this? Come and see' And,
incidentally, they are coming.
"Does the fact that they are
coming justify my using this kind of draw? Well, let's face it. this
is what we are in the business for, to get people to come and see the
films."
Three embarrassed men profiting from
something they should be ashamed of.
Fred Majdalany called this
film "thoroughly nasty." In my view, that goes for this method of advertising
it as well.
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NOTE |
We spent quite a lot on National press advertising and
on the front of house displays, about the poor quality cheaply produced
nudist films that had proved so popular. Our campaign was based on
an increased number of performances, greatly reduced ticket prices all with the slogan "Why pay
more?"
My website has been used as a reference source
for
'The Routledge Companion To British Cinema History'
|
Links
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'The
Routledge Companion To British Cinema History'
About Jack Cotton
About
the Early Properties
About Peeping Tom
|
THE
HISTORY OF JACEY CINEMAS LTD
PHOTOS AND PRESS CUTTINGS
1950 PATHE NEWS VIDEOS
|
JOSEPH COHEN AND OUR FAMILY BUSINESS
KEN RIVE AND GALA FILMS
EXTRA
NOTES
|
CHARITY AND
COMMUNITY INVOLVEMENT
|
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